飛來峰石窟是中國東南部的浙江省杭州市最大的佛教藝術寶庫。它從五代時期的吳越國到元朝，作為造功德與崇拜偶像的神聖地點持續了400多年。飛來峰有三種藏式佛像，即無量壽佛（或阿彌陀佛）、釋迦牟尼佛、藥師佛。本文旨在探討與飛來峰有關的這三種藏傳風格佛造像的文獻依據、宗教功能或意義，以及它們的藝術淵源。飛來峰石窟中的元代藏傳風格佛像表現著來自尼泊爾和西藏的影響。西藏應是中國內地藏傳佛像的風格之源，而尼泊爾又是西藏造像風格之源。元朝的首都大都則是杭州元代造像的直接來源，飛來峰石窟的元代佛像很可能就是來自大都的藝術家們的手筆，是元朝初年蒙古政權以行政手段推行藏傳佛教的藝術表現。由於漢傳和藏傳密教經典有著相同的梵文之源，因此，分析漢傳和藏傳佛教密教經文中對這些佛像的描述，可以和飛來峰藏傳圖像的表現相對應，以便尋找飛來峰藏傳圖像雕刻的經典依據，其宗教功能也可以從佛經中瞭解到。另外，基於對元代造像銘文和杭州的佛教環境討論，可以明確飛來峰造像功德主們的奉獻目的：既為自己做功德，也為蒙古皇室祈福，使這批造像披上了國家宗教的色彩。

The Feilaifeng Grottoes are the largest treasure house of Buddhist art in Hangzhou, Zhejiang Province, in southeastern China. It lasted for more than 400 years as a sacred site for making merit and worshipping Buddhas, from the Wuyue Kingdom during the Five Dynasties period to the Yuan Dynasty. There are three kinds of Tibetan Buddha statues at Feilaifeng, namely Amitabha, Sakyamuni, and Medicine Buddha. This article aims to explore the documentary basis, religious function or significance of these three Tibetan-style Buddha statues associated with Feilaifeng, and their artistic origins. The Yuan Dynasty Tibetan-style Buddha statues in the Feilaifeng show influences from Nepal and Tibet. Tibet should be the source of the style of Tibetan Buddhist statues in mainland China, and Nepal is the source of the style of Tibet. The capital of the Yuan Dynasty, Dadu (in present-day Beijing), was the direct source of Yuan statues in Hangzhou. The Yuan period Buddha statues at the Feilaifeng were probably the production of the artists from Dadu, and it was the artistic expression of the Mongolian regime's implementation of Tibetan Buddhism by administrative means in the early Yuan Dynasty. Since Chinese and Tibetan tantra scriptures have the same Sanskrit source, analyzing the descriptions of these Buddha images in Chinese and Tibetan Buddhist sutras can correspond to the representation of Feilaifeng Tibetan style images, in order to find the basis of the image carving of Feilaifeng, and its religious function can also be learned from Buddhist scriptures. In addition, based on the discussion of the inscriptions on the images from the Yuan Dynasty and the Buddhist environment in Hangzhou, it can be clear that the dedication of the meritorious masters of the Feilaifeng statues not only to do merit for themselves, but also to pray for the Mongolian royal family, so that these statues can be covered with the national religion's color.