國光劇團2006年底推出的「小劇場京劇」。《青塚前的對話》，是一齣以「劇本」為主要實驗場域的作品。全劇選定「傳統文學／戲曲」脈絡中，兩位不斷被書寫的人物－－昭君、文姬，探索女性自身的心靈與思想。本論文關注的課題為，劇作家內化於心的「文人傳統」，如何與其萌發中的「女性意識」進行對峙與磨合？本文第一部分解析劇本所源白的文學傳統，第三、三部分則討論劇本所呈現的兩種聲音：傳統男性文人詮釋vs.現當代女性意識。

The Dialogue in front of the Green Grave, an experimental Peking Opera produced by National GuoGuang Opera Company at the end of 2006, is significantly avant-garde in its dramatic text. It chooses two heroines who have been continuously written and rewritten by male literati through the long literary and dramatic tradition, Wang Zhaojun and Cai Wenji, and traces their minds and thoughts. The main concern of this paper is how the playwright’s literati identity interacts with her newly born women’s consciousness? Therefore, the paper will firstly analyze the literary tradition of the play, and then focus on two conflicting voices springing from this dramatic text.