篇名 | 嘉義先賢書畫合裱之背景探討與修復-以「林玉山與林玉書合裱立軸」為例 |
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卷期 | 20/21 |
並列篇名 | The Research and Conservation of the Paintings and Calligraphic Works in Chiayi-A Case Study of Lin Yu-shan’s and Lin Yu-shu’s works in Hanging Scroll |
作者 | 郭倉妙 |
頁次 | 127-146 |
關鍵字 | 嘉義 、 林玉山 、 林玉書 、 修復 、 掛軸 、 Chiayi 、 Lin Yu-shan 、 Lin Yu-shu 、 conservation 、 hanging scroll |
出刊日期 | 201310 |
書畫合裱為立軸的裝裱方式能夠傳達書家與畫家相互之間連結的訊息,為書畫藝術中的另一項特色,此件修復案例中林玉山與林玉書的合裱立軸是日治時期嘉義詩家與畫家間的相互交流所形成的時代產物。本篇研究從書畫家間的關係、作品內容、劣化狀況成因與修復方式等面相逐步瞭解文物進而執行修復,藉由資料蒐集整理及作品觀察,瞭解此件作品內容及該作者的時代背景,並從作品劣化狀況分析其成因,最後執行修復步驟。
Calligraphers and painters relationships are understood by framed calligraphy and painting together. The hanging scroll is the exchange of messages communicated artists during Japanese ruled period. This research involved artists' biography、detail of paintings、causes of damage and conservation suggestion. By collating data and reading arts, it explains significance that framed calligraphy and painting together. Finally, to investigate the degradation of folding fans in the hanging scroll and provide conservation suggestion.